By Lucia Frangione
Who are you and what is your role in this production? My name is Kent Sutherland, and I play Max Blanck one of the co-owners of the Triangle Waist Factory. Blanck is not a very nice person and along with his fellow co-owner, Isaac Harris, the duo was named as one of the Top 10 Worst Bosses in America by TIME Magazine. I also helped build the set and some of the props.
What is your background in theatre? I was involved with theatre throughout elementary and junior high, and then got back into as an adult with my first production being at Walterdale – The Best Little Whorehouse in Texas. I have since done musicals with Festival Players, Two ONE-WAY Tickets to Broadway, Foote in the Door, and, of course, Walterdale. This is my first non-musical role in a very long time.
Why do you think people should come see The Triangle Fire Factory Project? The story is a significant part of history. It was this fire that was the catalyst for changes in building codes, the implementation of fire drills, and better working conditions for women and immigrants. The play explores the historical, political and social ramifications that resulted from this seminal event, and examines the continuing modern day concerns of corporate greed and responsibility, and the moral and ethical issues surrounding the question, “what is the value of a human life?” Also, the way our director has decided to stage the show is sure to have an effect on the audience and have their feelings run the gamut.
Worst job you ever had, and why? Probably the worst job I ever had was working the graveyard shift at the 7-11 that used to be on 99 St. and 90 Ave. one summer. There was supposed to be two people working the shift, but my co-worker often/always called in sick leaving me to work alone. There were several “interesting” incidents at that location during the graveyard shift while I was employed, and there were several times I did not feel all that safe. During one shift, a customer came in asking where the bathroom was, and I looked up to see his face covered in blood — all I could do was point in the direction of the bathroom.
The Triangle Factory Fire Project runs October 10-20, 2018.
Click here for tickets.
Welcome new and returning Walterdale Members to the Cast and Creative Team of The Great Gatsby. We’re looking forward to heading to the Roaring 20’s with all of you!
CAST:
Gatsby- Patrick Maloney
Daisy- Melenie Reid
Nick Carraway- Simon Pawlowski
Jordan Baker- Kendra Humphrey
Tom- Ed Medeiros
Myrtle- Samantha VandenBrink
George Wilson- Phillip Haverkamp
Mrs. Mckee/ Mrs. Michaels- Rosie Sargent
Ensemble
Goran Simonji
Graham Schmitz
Jericho Cabinas
Kosta Max Lemermeyer
Samuel Bronson
Ricardo Espinoza
Veronica Masik
Jeannine Naboye
Anika Plitt
Julianna Hunt
Juhi Gupta
Dara Michelle Downey
CREATIVE TEAM:
Production Manager: TBD
Director: Bethany Hughes
Assistant Director: Rachel Love Haverkamp
Musical Director/Composer/Coordinator: Matt Graham
Stage Manager: Jordan Campion
Choreographer: Jennifer Bilyk
Fight Choreographer: Adara Broyles
Costume Designer: Julieanna Salisbury Lazowski
Lighting Designer: TBD
Sound Designer: Rachel Love Haverkamp/ Matt Graham
Set Designer/Master Painter: Joan Hawkins
Master Builder: Pierre Valios
Props Master: Alyssa Paterson
Sound Op: TBD
Lighting OP: TBD
Introducing the Cast and Creative Team of The Triangle Factory Fire Project, up first in our 60th Season!
CAST:
AHMED ALMOKDAD – Abe Gordon, Samuel Gompers
ALLIE CONNOP – Dinah Lifschitz
DANIELLE YU – Rose Friedman, Ida Mittleman
DUSTIN BERUBE – William Shepherd
EARL DANGWA – William Bernstein/Thug 2
ERIC RICE – Issac Harris
HEATHER MORROW – Bertha Schwartz
JAMES TOUPIN – Fire Chief Crocker
JESSICA RAMISCH – Ensemble
KENT SUTHERLAND – Max Blanck
KINGSLEY LEUNG – Eddie Markowitz, John Moore
MARC TRILLANES – Max Schwartz
MARIAM GILL – Kate Alterman
MATT BEAIRSTO – Max Steuer, John Meehan
MEGHAN SCHRITT – Margaret Schwartz, May Lavantini
REBECCA BISSONNETTE – Rose Schneiderman, Yetta Lubitz
RUDY SMITH – Charles Bostwick
SAMANTHA WOOLSEY – Mrs. Belmont, Mary Alter
STEPHANIE SWENSRUDE – Ethel Monick
TAHA RIZVI – Samuel Bernstein
CREATIVE TEAM:
BARBARA MAH – Director/Choreographer
MARY ELLEN PERLEY – Stage Manager
M.J. KREISEL – Production Manager
KARIN LAUDERDALE – Costume Designer
LELAND STELCK – Set Designer
PHIL KREISEL – Sound Designer
BRAD MELROSE – Lighting Designer
DEBBIE TYSON – Properties Manager
ROBIN SHINA – Assistant Stage ManagerASM
BROOKE EMBERLY – Master Painter
JOAN HAWKINS – Assistant Painter
RICHARD HATFIELD – Set Builder
JODE TOEWS – Light Operator
LOUISE MALLORY – Sound Operator
SALLY HUNT – Music Advisor
The Triangle Factory Fire Project runs from October 10-20, 2018.
What is your role in The Women? The role I play in this production is Mary. She is a high society lady, happily married with 2 wonderful children and life is rather enjoyable for her until she finds out her husband is having an affair.
What is your background in theatre? At Walterdale? My first production at the Walterdale was part of the cradle to stage festival and I played Sophie the daughter of Emily, in The Sunset Syndrome which portrayed Emily’s inner turmoil and emotions of a women with dementia. This production was the first play I was a part of in Canada. I then went on to be apart of Lady Windermere’s Fan and got to wear the most beautiful dress.
What brought you out for the show? I loved the idea of an all women cast and the play is just hilarious with some deeper meaning and issues that slowly arise throughout the story. It was a production that I knew would be awesome to be apart off.
Why should audiences come see this show? This play has all the emotions in it. You will laugh your head off one moment, nod your head with understanding the next and be sobbing within 10 minutes. The play is about women, in all societies and in all classes. It tells the story of friendship, betrayal and deals with real life issues that many women deal with every single day. There is so much depth to this play that most people will walk out with understanding, however what they exit with, will be entirely up to them. 
What is the most challenging obstacle that you think women have overcome in the last century? I think the most challenging obstacle women have overcome this last century is the right to their body. History depicts women as secondary citizens who belonged to their father or husband with no voice and no control. The past 100 years has seen women grow and speak up and fight for equality in all areas. As a women living in a western society today I have a voice, I have a choice as to who I will marry, love, be apart of my family. I have opportunities that many women all over the world do not have. I am lucky and very grateful for this, but there are so many women and children who do not have a voice, who do not have control over their place in society, I think women have a long way to go to gain equality. I think women’s greatest challenge is uniting all women over the world and reaching a common ground that protects all women in all societies and cultures with respect to the variation of this world.
What is your role in The Women? I get the opportunity as an ensemble member to play 1st Hairdresser, Princess Tamara, Miss Watts, and 2nd Girl. I am excited to play a variety of characters from varying social statuses and backgrounds who have differing beliefs of the world around them.
What is your role in The Women? I am playing Edith Potter. She is new money and doesn’t quite fit in with her high society friends. She is often saying or doing the wrong things, but it doesn’t phase her at all. She is perpetually pregnant, always eating, and a total blast to play.
What is your role in The Women? I play Miriam Aarons, an ex-chorus girl turned musical theatre star. She’s a scrappy, sassy, witty character who is no stranger to doing what she has to do to survive in a man’s world.
What is your background in theatre? In Edmonton? At Walterdale? I’ve done a few shows at the Walterdale and around Edmonton, and before that some community theatre as I nomaded around the country. Walterdale keeps having me, so I keep coming back!
What brought you out for The Women? I’ve always wanted to work with Catherine (our director), and when she had mentioned this show a while back, I already dibs-ed an audition slot! The script is also fascinating, being that it was written in 1936, and a lot of it still rings true. It’s still a very timely piece that takes a look at relationships, social climates, and the importance of thinking for yourself.
What do you think audiences will take away from the show? Why do you think they should come and see it? First of all, the set and the costumes are gorgeous. Secondly, Clare Boothe Luce was a fantastic writer who produced a fantastic, biting script that is peppered with humour, sincerity, and brutal honesty. Last but not least, the incredible amount of talent in the show. The cast is incredible and it’s been really great working alongside this many talented women… not to mention the best rehearsal conversations EVER. I foresee a great talk-back on the talk-back evening during the run!
What do you think is the most important issue facing women today (in North America? Globally?)? Why? The ability to have total agency over their bodies. Women’s health issues and decisions concerning them are too often made in rooms where there are no women present, or even consulted. In 2018, it is frightening to be able to say that in certain areas of first world countries, it is easier for a woman to buy a gun than to access birth control. Women face a tremendous amount of scrutiny in regards to their reproductive health, when it should be no one’s business but theirs and their doctor… who may or may not respect their wishes as well. While we are fortunate to live somewhere with more progressive laws, it seems that every time someone makes some progress, someone else takes two steps back. Women have a powerful voice and I’m proud to be part of a generation that is using it for change.
Introducing the Cast and Creative Team for Blue Stockings!
CAST:
Tess Moffat – Lucy Vogue
Carolyn Addison – Monica Lefurgey
Celia Willbond – Jocelyn Jay
Maeve Sullivan – Maggie Salopek
Ralph Mayhew – Andre Gobeil
Lloyd – Brayden O’Boyle
Holmes – Aidan Spila
Edwards – Austin Kumar
Will Bennett – Aidan Thomas
Mrs. Elizabeth Welsh – Elizabeth Marsh
Miss Blake – Sam Woolsey
Mr Thomas Banks – Dave Wolkowski
Dr. Henry Maudsley – Martin Stout
Minnie/Mrs. Lindley – Rebecca Collins
Miss Bott – Julie Sinclair
Anderson/Peck – Nelson Niwa
Radleigh – Pierre Valois
Collins/Librarian – Glenn Balombin
Billy Sullivan – Austin Long
Waiter – Nathan Webb
CREATIVE TEAM:
Director: Laura Ly
Stage Manager: Anglia Redding
Production Manager: Eric Smith
Set Designer/Master Painter: Alan Westen
Costume Designer: Karin Lauderdale
Lighting Designer: Karlie Christie
Sound Designer: Taylor Sisson
Fight Choreographer: Chance Heck
Props Master: Debbie Tyson
Master Builder: Ed Medeiros
Mentor Director: Kristen M. Finlay
Sound Operator: Jeff Turkiewicz
Lighting Operator: Fraser Thurston
Blue Stockings by Jessica Swale
April 4, 2018 – April 14, 2018
What is your role in this production? I am an actor in the chorus of “shadow” characters that Josh incorporated in the production. The chorus serves to heighten the storytelling and action of the play, but, in addition, we all created individuals who lived in Halifax during the events portrayed. The backstory of my character is that of “Alfred”, a Nova Scotian of Irish heritage who made his living in Halifax as a fisherman while indulging a secret, poetic nature.
What is your background in theatre? At Walterdale? I first experienced stage performance in high school. After nearly a decade working as a tradesman, I returned to theatre, being accepted into the Theatre Performance and Creation program at Red Deer College in 2015. I completed the program this spring and moved to Edmonton. This is my first production with Walterdale!
What brought you out for this production? Even before I moved to Edmonton, I knew Walterdale by reputation. When I learned that Walterdale would be producing Shatter, it struck me right away as something I would be proud to be a part of!
Why do you think people should come and see this show? What do you think audiences will take away from it? Audiences will experience the story through the eyes of the ordinary Canadians who woke up in Halifax on the morning of December 6, 1917. These were people experiencing love and friendship, hopes and doubts, never suspecting what would happen to them. They will witness the struggle of the survivors to overcome the wounds to their bodies and souls. This story resonates today. It is difficult to rebuild, to preserve what is honest and decent, to resist the desire to lash out in revenge. It is vital to reflect that even in our safe and prosperous country, sudden tragedy can challenge us to our cores. Finally, the play has many beautiful moments of laughter and affection in defiance of tragedy.
Shatter deals with a major event in Canadian history that Canadians today might not know too much about. Are there any other major events in Canadian history that you feel we should know more about that we do? The 1837 rebellions in Ontario and Quebec forced the British to introduce democracy in Canada by making our government here responsible to our parliament, not to the British monarch. These rebellions not only redefined Canada’s government, but those of Australia and New Zealand as well! They also provoked an explicit project to assimilate the French people of Canada. Pretty important for nearly-forgotten history!
