Mark playing guitar

Mystery Mark to Marquee Mark: A Message From the Once Team

We’re thrilled to share to this message from the Once team:


Hello Fellow Walterdaleans,

We are beyond excited for you to meet our newest Walterdale community member—and the leading man of our upcoming production of ONCE—Mark O’Reilly.

(And yes, Mark will probably be mortified that we’re writing this. Sorry, not sorry, Mark.)

Over the past few months, we’ve had the privilege of getting to know him, and we can confidently say: we’ve come to adore him, and we suspect you will too.

We’re writing this together because we wanted to give Mark the full Walterdale welcome.

Casting a show like ONCE is equal parts beautiful and brutal. Finding the right team of people means searching for folks who can act, sing, play multiple instruments, carry the emotional heart of the story, and—if that wasn’t enough—deliver a convincing Irish or Czech accent. No pressure. But – also- the entire creative bench was panicked. We were HOPEFUL but panicked. 

We were incredibly fortunate to see many talented performers audition, and you’ll be seeing several of them on stage in our show. But when Mark walked into the room… 

At the time, not one of us knew him.

We weren’t Facebook friends. Mark was basically untraceable. Believe me, we tried to find him. (Take a look at his instagram @markatthemill and see for yourself…) No one we knew had ever heard of him, let alone worked with him. He was a complete mystery.

Then this performer stepped into the audition room with a résumé that immediately had us all doing double takes – it was basically an empty sheet of paper… Yes, FOR REAL!

“Who is this guy?”

And then he started singing.

Within moments, the entire panel was exchanging looks that can only be described as theatrical disbelief. You know the kind—the look that says, “Are we all seeing this?”

Because from the second he opened his mouth, we were absolutely floored.

WHO IS THIS HUMAN?

WHERE DID HE COME FROM?

And, in what was almost perfect unison, the entire audition bench finally blurted out:

“Ummm… is that your actual accent? Or is that something you’ve somehow perfected?”

To which Mark casually explained that, yes, he was born and raised in Ireland.

Mystery solved.

Since then, Mark has brought not only extraordinary talent to the room, but also kindness, humility, generosity, and the sort of quiet dedication that makes an entire company better. He is the kind of performer who makes difficult things look effortless and the kind of person who makes everyone around him feel welcome.

Exactly the sort of person we hope finds a home here at Walterdale and throughout the Edmonton Theatre scene.

We can’t wait for you to meet him. From the moment the lights rise on him, you too will be drawn into the world of this mysteriously marvelous human. Mark’s GUY will invite you to fall in love not only with music, but with the beauty of life’s unexpected encounters and the joy that reminds us we are alive.

Break legs and hearts,

Bethany – Director

Rachel – Music Director

Samantha – Choreographer/Intimacy Director

Jordan – Assistant Director

Cameron – Stage Manager


Come see Once at Walterdale Theatre, running July 8–18

Use code ONCE20 until June 15 to save 20% on the first four shows (July 8–11)

Details about the show here

Miriam Veugelers leaning on a counter
Miriam Veugelers leaning on a counter
Mark and Miriam
Mark and Miriam

Photo credit: Rachel Haverkamp. Pictured: Once Cast and Crew.

Edit June 20th: Additional photos added.

Open Call for Collaborators, 2026

At Walterdale Theatre Associates (WTA), we are planning our 2026–27 season. As part of this effort, we are open to receiving expressions of interest for collaboration. We are an established theatre group caring for our historic playhouse in Old Strathcona, and we have a proud tradition of partnering with many like-minded parties to facilitate a broad range of work on our stage.

Importantly, Walterdale Playhouse is not a roadhouse venue—we collaborate to:

  • Provide value and opportunity to our members and the local community.
  • Build meaningful and lasting connections in our city’s network of theatre creators.
  • Ensure our playhouse is enjoyed and used to its fullest potential.

This call-out contains details on our priorities and timeline for those interested. We welcome previous and new collaborators without an existing agreement in place for the coming year to submit proposals.

Who can submit

We prioritize connections with local performance arts organizations grounded in our community, but any party is welcome to offer proposals.

Key Considerations

Collaborations take many forms including festivals, workshops, competitions, public events, and more. Your proposal only needs to be as in-depth as the complexity of your event; a two-for-one ticket night is simpler than a multi-week festival.

What we are looking for

  • Passionate and engaged collaborators with strong connections to the local theatre community.
  • One-time or recurring partnerships beginning September 2026–July 2028.
  • Events/programming that can be scheduled around our regular season and existing agreements.
    • Notable availabilities for longer events:
      • Feb 23–Mar 6, 2027
      • May 4th–9th, 2027
    • Shorter (one night/single day) events could be scheduled concurrent to other programming providing flexibility from the collaborator. 
  • Value and benefits for our organization, our members, and local volunteers.
    • Examples:
  • Educational and developmental opportunities such as workshops or inclusion of WTA members in artistic work 
  • Discounts for WTA members
  • Promotion and for WTA season programming
  • Support for our operations
  • Opportunities for individuals to create theatre who may face obstacles, have limited experience, or fewer opportunities.
  • Opportunities to bring diverse representation to our stage.

Your needs

What do you need us to know? Consider what are firm requirements and where you are flexible.

  • Scheduling
    • Dates and times, event length.
  • Logistics
    • Theatre access, equipment, load-in/loud-out, storage, capacity, concession, insurance & licensing, secure lock-up.
  • Personnel
    • Technicians, front of house, ushers, cast & crew
    • WTA is run almost exclusively by volunteer workers.
  • Accessibility
    • The Walterdale playhouse is a heritage building with accessibility limitations in some areas and higher accessibility in other areas.
  • Other

Process

Proposals must be received by 11:59 PM June 1st in order to be considered as part of our 2026-2027 season scheduling.

Contact

To submit, fill out the form linked below:

If you have questions, need additional information, or require assistance, please contact: admin@walterdaletheatre.com

Thank You

We will reach out to all submitters mid-July. All proposals are appreciated even if we can’t accommodate you this season. Please continue to suggest partnerships as opportunities arise in the future. We love to hear from you.

Banner Image for "This Is War" with images of four soldiers and text details.

Watch THIS IS WAR at Walterdale – Video Teaser

Walterdale Theatre is proud to present This is War by Hannah Moscovitch from Feb. 4 to 14, 2026. Watch the teaser video for the show:

Master Corporal Tanya Young, Captain Stephen Hughes, Private Jonny Henderson, and Sergeant Chris Anders lived through a violent botched mission while stationed in one of the most violent and war-torn sections of the Afghanistan War. This is War is told through their separate accounts to an unseen broadcasting corporation, and the truth isn’t always as simple as it seems as a picture is formed, painted by guilt, PTSD, nationalism and violence. 

Director Shawn Marshall said he was drawn to this award-winning Canadian play because it deals with the complexity of human beings in high-stakes situations.

“Nothing tells a story better and captivates an audience more than honesty, and broken people from broken situations,” Marshall said. “Moscovitch ingeniously explores this idea in the highest-stakes situation possible: life or death.”

Moscovitch is a multi-award-winning playwright from Ontario whose catalogue includes Red Like Fruit, East of Berlin, What a Young Wife Ought to Know, and Bunny.

This performance contains mature content and potentially triggering content. Themes include adult language, sexual content (involving consent in a power-imbalanced dynamic), depictions of sexual assault, post-traumatic stress disorder, torture and war crimes, and reenactments of combat scenarios based on the Afghanistan War. 

Running from Feb. 4 to 14 at 7:30 p.m. (Matinee at 2 p.m.) Walterdale Theatre 10322 83rd Avenue NW

CLICK HERE for tickets