What is your name? Leland Stelck
What is your role on the show? Set Designer – before I put pencil to paper, Exacto-knife to cardstock; I have probably read the play at least two times – looking for inspiration – looking for images – in this show, you will see on the floor, two ribbons representing the two serious themes that weave their way through this production.
Why should audiences come to see According to the Chorus? This show embodies the crazy theatre ethic that ‘the show must go on’ while real tragedy is happening within – it’s thought provoking.
What would you say would be a highlight of working on According to the Chorus? Working with the team of builders and painters and seeing the design emerge full-scale from the 1/2″ scale maquette.
Many characters in According to the Chorus are grappling with their own personal struggles, some more openly than others. How did seeing and reading those stories affect you? Reading the script made me think about those people I know who have suffered domestic abuse; but most of all you begin to wonder about other people whom you only suspect have suffered – and what can be done?
What was your favourite costume that you’ve ever worn? In 1999 I was a\the villain’s henchman in the melodrama ‘Dark Deeds a Swann’s Place or Never Trust a Tattooed Sailor‘; I had bullet belts and guns and knives a a fabulous pair of chaps. The audience gave me spurs every time I walked across the stage.